2017 KUNSTHAUS ZOFINGEN

No Weapon Formed Against Me Shall Prosper   The video-music-performance ‘No Weapon Formed Against Me Shall Prosper’ premiered in 2016 at the UNPAINTED ART FAIR in Munich. For the opening of Manuela Hartel’s exhibition at the Kunsthaus Zofingen, Switzerland, she unveiled her video installation with an adaption of this performance. The video image, projected onto satellite dishes and performers, condenses the setting into a multi-layered total work of art with organically produced, electronically processed sound that she interprets with her voice. Images and music seem to spring from the viewer’s inner perception and let Manuela Hartel (video, performance, voice) and Lorenz Schuster (electronics, sound) appear as “from another planet”, the… Read More →

2017 MICHEL HOUELLEBECQ

ETA Hoffmann Theater Bamberg Michel Houellebecq Unterwerfung adapted by Remsi Al Khalisi director: Sibylle Broll-Pape stage & costume: Trixy Royeck video: Manuela Hartel with: Stephan Ullrich, Daniel Seniuk, Pina Kühr, Bertram Maxim Gärtner

2017 JESENÍKY ALTVATER FESTIVAL

Manuela Hartel (München/DE) performance, video installation, set, voice & lyrics Jaroslav Koran (Prag/CH) composition, percussion, beat & effect instruments During the German-Czech Cultural Spring 2017, Rites de passage was shown at the Jeseníky Altvater Festival for Art, Literature and Music IM ZENTRUM (http://imzentrum.eu). In the border area with Poland, the church of Zalesi / Waldek – destroyed in 1989 – was temporarily rebuilt in the midst of its ruin through the audiovisual installation. The architectural sculpture as a reproduction of the sanctuary of the St. Barbara Church was designed and built especially for Rites de passage by the artists group REZ (Michal Mihalčík, Jakub Kročil and Jonás Lacnák). The object with swing… Read More →

2017 IM LICHT IM KLANG IM FEUER

Fairy tales of the Orient and digital art in BRIOL idea and viola: Gunter Pretzel media art: Manuela Hartel sound art: Gunnar Geisse Many fairy tales of the Orient owe their origins to looking into the fire in the night caravanserai. It is a look in which reality and fiction merge seamlessly into one another. And it is precisely this transition, in which digital media technology finds its original place. In this way, the voice of the great narrator Elsa Sophia of Kamphoevener can be revived: the most advanced technique can restore the timeless fascination of the imaginary. ImLichtKlangFeuer_BRIOL from Manuela Hartel on Vimeo.

2016 PERFORMANCE BETWEEN TREES

Outdoor Performance between trees from Manuela Hartel on Vimeo. Manuela Hartel – Concept, Video, Performance, Voice Gunter Pretzel – Viola Performance and Projection in between trees during the ECHOLOT Festival 2016 for contemporary music at the “Klangschloss” at Castle Kempfenhausen, Lake of Starnberg, Bavaria. FOTO & VIDEO DOCUMENTATION – VERENA HÄGLER

2016 ECHOLOT FESTIVAL

  ECHOLOT Festival 2016, Video Art from Manuela Hartel on Vimeo. The ECHOLOT Festival (1-3 July 2016) at Castle Kempfenhausen on Lake Starnberg transformed the castle into a “Gesamtkunstwerk” making a fresh attempt to the definition of Neue Musik. The audience had a comprehensive listening and viewing experience with concerts of renowned artists, complemented by unique audio and video installations in the courtyard and the park: a 4 – channel soundfield, video projections on the facade of the castle and a listening garden in the rotunda which through projections became a magic garden at night. Each day of the festival ended with a performative Nach(t)klang/Nightly-Echo in the summery park. <iframe src=”https://player.vimeo.com/video/177838416″ width=”640″… Read More →

2016 NO WEAPON FORMED AGAINST ME SHALL PROSPER

Concept, Video, Performance, Voice: Manuela Hartel Live-Electronics, Performance, Sound: Lorenz Schuster Foto: Verena Haegler No Weapon Formed Against Me Shall Prosper is a performative action within a stage setting extended by a large videoprojection. Live editable footage is projected on 5 satellite dishes and 2 performing artists merging the whole setting into one image. The performance is scanning our reception and transmission ranges as well as defence and protection mechanisms. It is a live research of receiving and transmitting images and organic sounds using electronic instruments and voice. The projected imagery becomes an extension of the space and seems to emerge from the viewers inner perspective, making Manuela Hartel (Video, Performance, Voice)… Read More →

2015 SCHLOSS ELMAU JAZZTIVAL

Video installation with projection on two 4 x 5 m side windows in the concert hall on Schloss Elmau, including a Live Visual stage setting for the concerts of Dana Leong Trio, Kurt Elling, Ben Williams and Romain Collin. 19-22 November 2015, Schloss Elmau, Germany, Bavaria. video installation, live visuals, stage setting: Manuela Hartel / light show, stage setting: Stefan Boessl foto-documentation: Anna Weldig, Manuela Hartel, Dana Leong / video-documentation: Manuela Hartel, Dana Leong Romain Collin from Manuela Hartel on Vimeo.  

2014 I LIVE IN HELL – LET ME LIVE

I LIVE IN HELL – LET ME LIVE from Manuela Hartel on Vimeo. The diptych was developed by the Video Artist Manuela Hartel and refers to Galonska’s concept of her Henry VI adaptation (see next page). Perpetrator and victim are portrayed by the same person on parallel screens. Whereas Galonska’s life-performance was concentrating on speech, in the video-performance the words are only spoken inwardly. There is no sound, just facial expression.

2015 SET FIRE TO FLAMES

Video-Music-Performance Set Fire to Flames from Manuela Hartel on Vimeo. Concept/Video/Vocals/Performance – Manuela Hartel Music/Singing Bowl/Electronics/Performance – Lenz Schuster Fotos: Fernanda Vilela/Ulrike Theusner for “Stadt der Frauen – Ein Kongress”, Munich Opera Festival 27.06.2015, Alte Kongresshalle München